Approaches to Paul Klee as a way of witnessing the art of the other beginning

Authors

  • Juan García Hernández Benemérita Universidad Autónoma de Puebla

DOI:

https://doi.org/10.53382/issn.2735-6140.29

Keywords:

Klee, Heidegger, otro inicio, ser, obra de arte

Abstract

The main objective of this research is to reflect on the artistic work of Paul Klee, starting with an approach to Martin Heidegger’s thought, focusing our attention on The Notes on Klee, inherited by the German philosopher. To accomplish this aim, we will start from the question: is it possible to determine and locate a work of art that enables us to think the other beginning suggested by Heidegger? To gives this question an answer will imply the delimitation of two instances. In the first place, we will delineate a brief interpretative analysis on the painting Ray of Lightning, by the Swiss artist in order to preserve a sign that grants us the opportunity to assimilate the notes of the thinker from Marburg. In the second place of our investigation rests on reflecting the possibility of establishing Klee's art in the other beginning as a clear that contains the decision of another essence of man. Finally, we will verify the veracity of reflecting on Klee's artistic production as a possibility to set an essential link between being and man. 

Downloads

Download data is not yet available.

References

Aristóteles. Física. Madrid: Gredos, 2011.

Bernal Rivera, Beatriz. El arte: un paraje de decisión. A propósito de H eidegger. Colombia: Editorial Universidad de Antioquia, 2017.

García Ponce, Juan. La aparición de lo invisible. México: Aldus, 2002.

Heidegger, Martin. Caminos de Bosque. Madrid: Alianza, 2010a.

Heidegger, Martin. De camino al habla. Barcelona: Serbal-Guitard, 1987.

Heidegger, Martin. Los himnos de Hölderlin. "Germania" y "El Rin". Buenos Aires: Biblos, 2010b.

Heidegger, Martin. Preguntas Fundamentales de la Filosofía. Granada: Comares, 2008.

Klee, Paul. Bases para la estructuración del arte. México: Ediciones Coyoacán, 1995.

Klee, Paul. Bunter Blitz. Düsseldorf: Stiftung Kunstsammlung Nordrhein-Westfalen, 1927.

Klee, Paul. Creative confession and other writings. London: Tate Publishing, 2013.

Klee, Paul. Teoría del arte moderno. Buenos Aires: Ediciones Caldén, 1971.

Leyte, Arturo. Post scriptum a El Origen de la obra de arte de Martin Heidegger. Madrid: La Oficina, 2016.

Pöggeler, Otto. Bild und Technik: Heidegger, Klee und die Moderne Kunst. Alemania: Fink Wilhelm, 2002.

Petzet, Wiegand Heinrich. Encuentros y diálogos con Martin Heidegger. 1929-1976. Buenos Aires: Katz Editores, 2007.

Seubold, Gunter. “Heidegger’s Notes on Klee in the Nachlass”. Philosophy Today 61/1 (2017): 19−28.

Seubold, Gunter. “Las notas sobre Klee heredadas de Heidegger”. Revista de Filosofía 47 (2013): 177−187.

Watson, Stephen. Crescent Moon over the Rational. Philosophical Interpretations of Paul Klee. California: Stanford University Press, 2009.

Xolocotzi, Ángel. Fundamento y abismo. Aproximaciones al Heidegger tardío. México: BUAP, 2011.

Young, Julian. Heidegger´s Philosophy of art. United Kingdom: Cambridge University Press, 2001.

Downloads

Published

2021-07-29

Issue

Section

Artículos

How to Cite

Approaches to Paul Klee as a way of witnessing the art of the other beginning . (2021). Littera Scripta, 1, 81-101. https://doi.org/10.53382/issn.2735-6140.29